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1. Explore the links on the
Guido's Historia page.
2. Read
"Guido's
Historia Destructionis Troiae: Free Will, Fate and Demons
at Troy." This is my detailed discussion of Guido's Historia. You
will need to read it to get a sense of what Guido is doing with the Troy
story, because there is no section in the textbook on this topic.
3. Read through all the Activity questions before selecting Activities to work with. Notice that some of the Activities are quite easy and may only require reading one text, while others are far more difficult, and may require reading more than one text or doing online research plus reading texts.
Select Activities that interest you and are appropriate to the time you have to spend on them. You will not get a higher grade because you select more difficult Activities. Some Activities that are especially complex will offer double credit; if so, that will be stated in the Activity question. If you select the double credit option, you must write "double credit" on your Activity AND you must develop your Activity in more depth, in order to qualify for the double credit.
Select one or two of these Activities for this Area; make a copy of the Activity question to begin your response. Post your Activity to the
Blackboard
Guido Forum. |
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| Read "Critic and poet:
what Lydgate and Henryson did to Chaucer's "Troilus and Criseyde" by
C. David Benson and write a developed summary of the material. (This is
especially interesting and useful if you plan to read Chaucer's Troilus
and Criseyde and/or Shakespeare's Troilus and Cressida.) |
| Read
"Astralscapes
of the Emotions: Planets, Seasons, Passions, Actions," an essay on
Guido's use of the stars to describe human events. Now comes the
challenge: review either Homer's Iliad or Virgil's Aeneid
and carefully consider how one or two of the characters are
motivated--is it by gods? by fate? by destiny? by bad luck? by what?
Compare the motivation in one of these epics to the astral motivation
as explained by Guido. |
| Read
and write a developed summary of
Astrology in Medieval Europe. This sort of thinking got deeply
intertwined with the story of Troy in Guido's Historia, and
elements of astrological thinking show up in Chaucer's Troilus and
Criseyde and beyond. |
| Here is
another complex and interesting essay that you may choose to read and
summarize in depth if you are interested in ideas of history in the
Troy tradition:
"Boccaccio’s Teseida and The Destruction of Troy,"
by Dominique
Battles. |
| And here is a detailed
introduction to Lydgate's:
TROY BOOK: edited by Robert Edwards. If you read this
carefully and write a fully developed summary, you will learn more
about the Troy tradition in the middle ages and earn up to fifty
points. |
| If you are feeling
philosophical and want to work for potential double credit, read
"Guido's
Historia Destructionis Troiae: Free Will, Fate and Demons
at Troy." Then, look back at at least two of the Troy stories you have
read and think about what caused the fall of Troy in each version and
whether there was anything the Trojans could have done to prevent it.
What? How? Discuss your ideas in detail, supporting them with examples
from the Guido essay as well as the two Troy texts you have chosen to
write about. |
| Go to
Stupormundi.it: history and art related to Frederick II; English
option. Examine the various pages and write a
review of the site. Be sure to not only comment on the content, but on
the style of presentation and how you liked or did not like it. |
| If you are interested
in the crusades, go to
Medieval Sourcebook: Philip de Novare: Les Gestes des Ciprois,
The Crusade of Frederick II, 1228-29, a contemporary document, read
it, and write a developed summary. Any interesting ideas you have
about this text would be a welcome addition to the Activity. |
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