ENG 112 College Composition II                                         Nancy McTaggart
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Rules for Writing About Literature 

By Dr. Sara Miller, 
Northern Virginia Community College

Title

Brackets

Ellipsis

Verb Tense

Blending Quotations

Punctuating Quotations

Referring to the Works and Authors

Titles of Literary Works

Title
Write a title for each of your essays and your research paper.  The title should reflect the content of your ideas.   Your title should not be the name of the work you are writing about or the name of the assignment.  You can do a great deal to create interest as well as to reflect your ideas with the title of your paper.

The title should be written in conventional type.  Capitalize only the first letters of important words.  No quotation marks or underlining is necessary, unless you do include the title of the work you are discussing.

        Example:  Jackie's True Confessions

        Example:  Images of Light and Darkness in "Araby"

Titles of Literary Works
In all of your writing, correctly punctuate the titles of works you discuss.  The rules for punctuation of titles are as follows:

  • Use quotation marks around titles of poems, short stories, essays, or subdivisions of books.

  • Underline or italicize titles of book-length works (novels, long poems), plays, movies or works of art.

Referring to the Works and Authors
In your first paragraph, always give the complete title, correctly punctuated, and the author of the work to be discussed.  The first time you refer to a writer, give his or her full name (spelled correctly!).  

In subsequent references, use the author's last name without any title.  First names are inappropriate, and saying "Mr. Updike" is artificially formal.  Just say Faulkner, O'Connor, Jackson, or whoever.

    Example:  In "A & P," Updike sets his story in an ordinary supermarket north of Boston.

Verb Tense
Always use the present tense when talking about something written.  The work exists now, in the present, regardless of when it was written, or when you read it.

    Example:  In "First Confessions," Frank       O'Connor uses his own boyhood memories.  He tells the story of Jackie, a young boy who is frightened of making his confession because he will have to reveal his plans for killing his grandmother.

(The words "uses" and "tells" are in present tense.)

Blending Quotations
When you offer quotations as illustrations for your ideas, you must incorporate the quoted words into your own writing so taht the quoted words and your own words read smoothly, as grammatically correct sentences.

Example:  Faulkner creates a series of memorable -- and unpleasant -- characters in the Snopes family of "Barn Burning."  Abner is described as having "pebble-colored eyes" and he walks with "wooden and clock-like deliberation."  The girls are "big, bovine," and they move "in a flutter of cheap ribbons."

If necessary, blend a quote by making adjustments to its wording.  Subtract or add words in the quote, and punctuate these changes with an ellipsis or brackets.

Ellipsis
 If you leave out part of a quote to make it blend into your sentence, you should use an ellipsis mark, or three spaced periods (. . . . ).  The first three are the ellipsis marks and the fourth is a period to end the sentence.

Do not use ellipsis at the beginning of a quotation, even if you do pick up in mid-sentence.  See examples of correct use of ellipsis throughout this section.

If the quotation is short and clearly a portion of a whole idea, you do not have to use the ellipsis mark.

Example:  In the opening scene, "a green and yellow parrot" hangs in its cage by the door.

(Note:  no ellipsis is needed here because the material is obviously an incomplete excerpt.)

Brackets
Place brackets [ ] around words or letters you add inside a quote;  do not use parentheses ( ) for this purpose.  See examples in this section.

Punctuating Quotations

  1. Commas and periods always go inside quotation marks;  semicolons and colons go outside.

  2. ALL quotations which are shorter than four lines of your writing or typing should be written by blending the quote into your own sentences, enclosed by quotation marks.

  3. If a short quote is POETRY, use slash marks (/) to indicate line breaks for the reader, and retain the capitalization and punctuation of the original.     
           Example:  The images of night begin in the opening 
    lines:  "For the moon never beams without bringing 
    me dreams/ Of the beautiful Annabel Lee."

If ANY quotation is longer than four lines, you must set it off from your own writing in a block format.  To do this, you should indent ten spaces from the left margin, retain the usual right margin, single space the quote, and not put quotation marks around the material.  Example:  On the trip to Florida, the grandmother has dressed with care.  She wears

        a navy blue straw sailor hat with a bunch of white
   
      violets on the brim and a navy blue dress with a 
        small white dot in the print.... [and] she had 
        pinned a purple spray of cloth violets [to her 
        dress].   In case of an accident, anyone seeing 
        her dead on the highway would know at once that 
        she was a lady.

(Note:  Ellipsis marks are used to indicate omitted words, and brackets are used to add words that clarify the ideas or make the sentences flow smoothly.)

       5.  If you present a longer quotation of POETRY, you must set it off from your own writing in block format by indenting on the right ten spaces and using no quotation marks, but you should retain the lines of the original (make it read the same as it does on the original page):

    Example:  In cummings' poem,

                         Buffalo Bill's
                        defunct
                                    who used to
                                    ride a watersmooth-silver 
                                                                          stallion
                        and break onetwothreefourfive pigeons justlikethat

(Note:  Even in this format, the quotation is blended in to be part of the sentence, and the poem is paced just as it looks on the printed page of the textbook.  See p. 883 in X. J. Kennedy's  text, Literature:  An Introduction to Fiction, Poetry, and Drama.)

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