1. |
Ensemble acting means:
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a)
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communicating a sense of truth as a group, instead of just as an individual
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b)
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knowing when and how to give and take focus
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c)
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always giving focus to your partner
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d)
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being realistic down to the very last detail
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e)
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all of the above
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2. |
An actor's tools are:
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a)
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voice, body, mind, self
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b)
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costumes, makeup, set, props
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c)
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designers, technicians, directors
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d)
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issues, hats, verses, canes
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e)
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none of the above
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3. |
As an actor, working from the inside out would be called ___________; working from the outside in would be called ___________.
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a)
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inspirational, internal
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b)
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method, technique
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c)
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alienation, identification
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d)
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presentational, representational
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4. |
Realistic Theatre tends to have ____________ acting, while stylized theatre (such as farce and musical comedy) tends to use _____________ acting.
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a)
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external, internal
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b)
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representational, presentational
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c)
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bad, good
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d)
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technical, methodic
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e)
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all of the above
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5. |
Most modern realistic acting is based on the teachings and practices of:
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a)
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Diderot
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b)
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Delsarte
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c)
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Freud
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d)
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Stanislavsky
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e)
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Thespis
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6. |
All EXCEPT WHICH ONE of the following are ways in which actors help to induce belief in self and character when they find difficulty fitting themselves into the play's situations?
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a)
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sense memory
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b)
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affective memory
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c)
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substitution
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d)
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the "magic if"
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e)
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unitizing
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7. |
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