Theatre Appreciation -- SPD 141 -- Online Course
Types of Drama / Plays: Tragedy
Resource: Wilson, Chapter 9
The Six Elements of a Tragedy / Play present in all plays, but some standard forms can be discerned.
Verisimilitude -- the "illusion of truth" -- the method of achieving it changes.
Form: the shape given to something so it may serve a useful purpose.
For our purposes: form / genre / types are intended to be categories that are not firm--there are endless sub-categories, and many plays will fit into a number of different categories simultaneously.
It can become dangerous to evaluate a play as one form, when it might not indeed fit that form.
Genre--(184) -- French for "category" or "type" -- sharing a particular point of view/ forming a group.
Genre criticism --can show how a play does or does not fit into a particularly category, but can also be useful as a way of examining the plays and discovering more about them -- as a learning tool.
Such categories as "dramedy," "tragic farce," etc. have been used to show the merging of "types."
Shakespeare's Polonius in Hamlet ridiculed categorical obsessions: "tragedy, comedy, history, pastoral, pastorical-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral." (Act II, scene ii).
Tragedy
Aristotle's definition of Tragedy (See My web page HERE or HERE [these require RealPlayer, and you MAY have to click on the image and / or the "play" button to see the image and hear the sound] ), and Poetics web page)
Characteristics of "Action" -- (Brockett on Aristotle)
1. Origins of Tragedy:
Magnitude: characters have high stature -- ethically superior but sufficiently imperfect
modern tragedies -- more common characteristics (Willy LOMAN).
High seriousness: Tries to arouse (effect) proper purgation of pity and fear -- [some have asked if the purgation is to be in the audience or in the characters??]
"Catharsis" -- a purification -- the compassion accompanying
shared grief -- a humanizing force--
we return to a state of equilibrium after release of tensions (A-2) -- Contradictory
reactions -- pessimistic, yet not willing to surrender individuality -- a
form of victory..
The Tragic Hero (protagonist) (285...8) has a flaw in character or makes an error in judgment -- "tragic flaw" (421) -- from the term hamartia -- literally "missing the mark.".
"hubris" (419)-- a characteristic -- overweening pride or self-confidence.
Aristotle suggests that the best plays (Oedipus) have the hubris being too much of a good thing (what makes Oedipus strong is his self-confidence and pride)
Universality -- Universal human values -- When a play touches something that is human in all of us and has lasting value through time
Click here for a short study quiz on this lesson...
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Last updated: April 29, 2004